#STRAFE GAME FREE#
It would have been nice to see some sort of structure to the game’s design, as opposed to a complete free for all, as this just leads to the game feeling unfair and frustrating. I regularly found myself feeling like I was having an incredible run, only for the game to dole out tiny amounts of resources on consecutive maps leading to me quickly failing out. Now that you’ve found it, have fun with the single 10HP item the game has decided to randomly dole out on this run. Just fought 30 enemies and low on health? Go searching through the entire map for the single health station that has been placed in an unmarked location within it. While other games build their combat encounters and designs around perfectly planned amounts of resources, STRAFE goes in the opposite direction. This is a game that is largely based around heavily limited resources, which is harmed by the inherently random nature of procedural generation. While this easily increases the game’s replayability, it causes a massive number of issues with the core game itself. The one big way that STRAFE leverages the technology of today comes from its procedural nature, with maps being a collection of boxes and corridors randomly put together. In a game where you’re doing so much shooting, it’s a big disappointment that doing so just feels so boring. Instead of feeling like a gun toting bad-ass, you feel like you’re running around with a peashooter. The guns also have no weight to them, with enemies never so much as flinching as you put shotgun blasts into them. This is especially apparent when firing rockets, with explosions being accompanied by nothing more than a small poot of noise. When you shoot, small pathetic noises emanate from your gun, with no emphatic sounds to be found other than with the game’s shotgun. While that can be fun, the weapons themselves feel terrible to use. This means you’re locked into a certain playstyle for an entire run after picking your weapon, forcing you to adapt to situations as they come. Whatever you pick will be your only constant during your run, with any ammo pickups found during gameplay refilling only this gun and any other weapons you find being limited use weapons. At the beginning of each run you’re given the choice of 3 guns: a sub machine gun, a shotgun and a rail gun. These design decisions continue into the weapon and sound design of STRAFE, with a focus on a smaller range of weapons and accompanying sounds. In this way, STRAFE is artificially constrained by a design decision to have it mirror games from that time too closely, without leveraging current technologies or design concepts that have vastly improved gaming as a whole. While STRAFE is trying to channel the 1996 experience, we’re in a world now where you can have lots of enemy designs without worrying about system constraints. The designs themselves are unique and fun to look at, but once you’ve seen the same enemy 50+ times in the same level, they begin to grate on you. That repetition is what brings down the interesting environmental and enemy designs. Enemies look like something you would expect to find in a game from 1996 and environments are grungy and oft-repeated. The way STRAFE mirrors those early FPS games is immediately obvious when you play the game, with blocky geometry and incredibly simple textures. While STRAFE’s run based action certainly evokes some of the same emotions that DOOM and Wolfenstein did, the game introduces a range of issues to the formula which drag the entire experience down. STRAFE is one game that has gone in the opposite direction, funded via Kickstarter as a procedurally generated rogue-like love letter to FPS games of old. While those games are certainly fantastic and helped shape decades of gaming, going back to them after years of genre enhancements isn’t the best experience, and so new games have largely stopped emulating their style.
#STRAFE GAME PC#
I was only a tiny child in the days when PC gaming began to boom with the introduction of ground-breaking FPS games like Doom and Wolfenstein, so I missed what many consider the true emergence of the genre.
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